Posts Tagged ‘music

whizARTbang #1

by Electric Elliot

Tuesday, July 13th, 2010

On July 3rd, a plethora of artists gathered at the Satori Group’s loft in downtown Seattle for a new collaborative event called whizARTbang! What is it? whizARTbang is a new collective of artists and supporters. It hopes to connect, collaborate, and support art in any way it can.

Each month, members host an intimate gathering featuring culinary art, visual art, live performances, and libations. The Melon was on hand for July’s gathering which featured a sampling of work from: Culinary arts, Painting, Stand-up, Dance, Video Art, Experimental Theater, and Sketch Comedy. Here’s our footage from the event which featured The Melon’s own Electric Elliot:

Artists included:

-Zoe Scofield
-Derek Shankland and Mike Klotz
-Stephen Ross
-Emmett Montgomery
-Jason Miller
-Juniper Shuey
-Boom! Theater
-Kevin Kantner (not to be confused with Kevin kantor)
-Counsel Langley
-Harlequin Hipsters
-Elliot Trotter

http://vimeo.com/13289890

Tacoma’s $2000 Puma Album Released!

by Electric Elliot

Saturday, May 1st, 2010

Born on the campus of the University of Puget Sound, $2000 Puma has just released their freshman album “Last Night’s Kill”, streaming free on bandcamp. Sometimes loud and angry, but often solemn and ponderous, “LNK” presents a young band unabashed about what it is and the type of music it intends to play.

Having seen Puma live, “LNK” captures the same energies and careful releases of beautiful emotion that beam off the stage. Polished or not, Puma’s “LNK” is raw and real, just the type of release we’d expect from the creative-core of area 253.

Helmed by Greg Merrell on vocals, guitar and numerous other instruments, the band features other UPS talents in Jake Berenbeim, Mark Maples, Sean Bernfeld and Charlie Bevis.

In the band’s own words:

$2,000 Puma is homemade eclectic electric indie rock music that will leave your temples drenched in sweat.  Drawing from a variety of sounds, they have never stuck to a single genre.  However, there is one commonality between their songs- they all rock hard.  Their music is composed of spacey then rocking-effect-tripped-out-noisy guitar, groovy-jazzy-funky bass, explosively intricate jazzy and rocking drums, vocals with occasional vibrato application and the over-layering of synthesizer and simple guitar melodies.  It pulls elements from Jazz, Blues, Math-Rock, Dub, Glitchier Electronic, Folk, and just straight up rock and roll.  Like many talented artists $2,000 Puma doesn’t restrict their music to a particular meter.  Syncopated rhythms are a common thread in $2,000 Puma songs such as “The Seasons”, “Ultraviolet”, “Money/Love Problems”, and “Paladin-Drome”.

Although their album has just released, rumor has it that Puma is already no more. With band members no longer students at UPS, they are looking to go their separate ways. I had a quick Q & A exchange with Greg Merrell about the band, the album and the future:

The Melon: How was the band formed?
Greg Merrell: Jake and I got really angry and frustrated with Organic Chemistry and needed to vent somehow.  We did so by playing really LOUD rock music.  Then eventually started writing songs, playing with other people, and played our first “show” at a house party in January of ‘08.

What goes into a song/ How does one come about?

Well it really depends on the song…

As far as songwriting processes go, I would say a majority of songs come from my initial rough ideas and I put them into a loose structure. Then, Jake and I will play through them with Mark or Mark and Sean and they’ll come up with some finer details to add to the song. This was the case for these songs on the album – Vitamin R, Hummingbird, Vose & Sons, Miscreation, and You’re a Slave, You’re a Stone. Some songs have just come out of jam sessions and then were refined later like – Wake Up Call and Blues. McNulty and Pulse are both tracks that I purely did and Jake just added some percussion texture (Lion’s Roar).

Pulse actually has a pretty interesting story as to its origin. The original idea of that song came from Elliott Snyder noodling around on a guitar and I was sampling what he was playing through a kaoss pad. Then I subdivided that sample into an 11/4 (A) beat and a 4/4 (B) beat and the song alternates sections using those respective drum patterns. Then laid down a bass and vocal track. You can listen to that track on our muxtape, its called Sleep Serene. Then later Jake and I recreated that song to perform live and it turned into a different song. We tried to record that version of the song and it didn’t really work out… so we took samples of that take and made it into an interlude.

It’s really interesting when you go to record these songs though because they take a bit of a new form (like I was explaining for Pulse). Vose & Sons was a song that was just recorded as it was written.

What is the future of Puma?

Well… unfortunately the puma is done but I’m sure we’ll play in other projects as time goes on. Jake and I have an agreement that if we ever happen to be in the same city or near by we’ll play music together again.

Sean and I currently play in a project called Redolent Entropy (redolententropy.muxtape.com/) with Nico Sophiea and Colin Taggart. I’ll always be working on recording projects with a friend of mine Greg Harpel who lives in Portland called Mellowtron and the Harp (mellowtron.muxtape.com/).

Any other projects on the horizon?

Not really. Marks going to Taiwan, Sean to St. Louis, Jake to Denver, and I’m heading off to Shanghai, China.

What’s the goal of this album? – take that one as you will.

The goal of our music has always been to express ourselves as musicians and as people. To bare our souls if you will. I think that’s definitely the goal of this album and I feel like it’s been accomplished.

Artists you compare Puma to?

Heh… that’s an interesting turn on the infamous “influences” question. I would just compare aspects of songs of ours to artists. The last song = Radiohead. Miscreation = Grizzly Bear meets Elliot Smith. Blues = Kusikia meets Black Keys meets some doom metal band. Hummingbird = Mice Parade meets Beruit meets The Globes – a Seattle band (specifically the track “The Glower”). Vose & Sons = some Jim O’Rourke instrumental. Its hard for me to think of some artists that Wake Up Call, Vitamin R and McNulty remind me of though…

Define $2,000 Puma in 3 words.

Pacific Northwest Rock.

Check out Puma’s full album @ http://2000puma.bandcamp.com/


The Greatest Music Video Ever?

by Jack Faust

Friday, December 4th, 2009


Wedding Dresses and Globalization

by Torey Holderith

Thursday, November 19th, 2009

Ankara Wedding Party

In a park in Ankara, brides pose as wedding pictures are taken. I am struck not by how different a scene this appears, but how normal it appears. During my quick stroll through the park I saw three different brides having pictures taken, all in flowing white dresses, some sleeveless, and often with low backs. They were all beautiful dresses that would look entirely natural in an American wedding environment. Turkey is officially 98% Muslim, obviously, the actual level of practicing Muslims is likely much lower, but could it be that despite a host of rather radical religious, cultural, and historical differences that when a young Turkish woman imagines her ideal wedding she imagines something quite similar to that of a young American woman?

 

Western brands are very popular in Ankara, and a trip to the city center can yield a variety of fake La Coste, Nike, Adidas, and other apparel. I was approached at my language institute by a young Kazakhistani woman inquiring about whether I had any American music on my cell phone to give to her, and had a Jordanian teenager ask my advice regarding who the best rap artists are in the States. As an American, I know what’s cool… I guess… Clearly faulty logic somewhere in there… Regardless, the commonalities that globalization creates are incredible.

 

Globalization, the growing interconnectedness of individuals across the globe, has long been simultaneously praised and condemned. Praised for decreasing conflict, increasing international trade, and creating personal connections between those in the developed world and developing world possible: see kiva.org. Condemned for destroying local culture, creating a new wave of capitalist imperialism, and placing otherwise content locals into sweatshops for long hours and little pay. Many believe the story of globalization is one of opportunity, and many others the story of exploitation.

 

A classic political science argument on globalization is that no two countries both with McDonalds will ever go to war. While this particular example has been proven wrong, and was subsequently adapted to be more specific, the McDonalds are of course merely a symbol for globalization, and the actual argument is that no two countries that are fully integrated into the global economy would ever go to war because the economic repercussions would simply be too great. Of course, economics does not tell the entire story of globalization, if only there was a symbol of globalization that was not economic but rather a social symbol… but what?

 

I present to you, the Holderith Theory of Conflict and Globalization. No two states in which at least 20% of the population is married in strapless dresses will ever go to war.

 

A seemingly bold theory, but really not… To begin my theory is safe from the past due to the relatively recent emergence of strapless dresses, and I have already accounted for the future because none of the countries on the West’s To Do list have a significant quantity of marriages involving strapless dresses (sources pending). That’s right go ahead, attack Iran… Before NATO/UN/Coalition/Israeli/US forces even reach Tehran I will have begun my first lecture tour.

 

I jest, with this example. However, consider the realities of globalization, the reasons why globalization destroys local cultures is the same reason why globalization prevents war. Because women in Ankara want a wedding that would be immediately recognizable across the West is undoubtedly linked to the reason why Turkey’s integration into the European Union is possible. Turkey is poised to play a greater role in world politics then ever before and maybe, just maybe, it is because women in Turkey, Western Europe, the United States, close their eyes and picture one of the most important days of their lives with striking similarities…

 


Melon Music Moment – Do You Believe in Love?

by Electric Elliot

Monday, June 29th, 2009




More info at http://minutaur.com/gotopage.asp?moment=4337



 

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UPS Violin Teacher Uses YouTube To Teach

by Joe La Sac

Thursday, October 23rd, 2008

Janet Utterback-PeckViolin instructor and alumna from the University of Puget Sound, Janet Utterback-Peck, teaches young violin students (ages 6 – 14) by recording them and posting their videos on a private YouTube account. She and her community of violin instructors have found that video-taping their students increases the students’ self-efficacy, and opens them to a wide range of violinists over the internet.


“I think the physical part – looking – and connecting – what physical motions make certain sounds is key,” she says. Janet also uses YouTube to learn tricks from the professionals in her own work as a violinist with the Tacoma and Northwest Symphony Orchestras.


Staci Elliott and I created a short documentary video through Instructional Technology at UPS, which among other things is the department that administers the BlackBoard content management system, tutorializes university software, and offers to students and educators regarding technological and pedagogical combinations. In the video I featured a documentary about Jascha Heifetz, which can be seen here, and a rendition of “Last Rose of Summer” by Hilary Hahn (which happens to be one of Janet’s favorites). That video can be seen separately here.



Congress is doing some other stuff you may care about

by Walker Lindley

Thursday, October 2nd, 2008

riaa.gifBesides the big financial bailout package, Congress is doing some other things you may be interested in. One of those things is the descriptive and oh so eloquently named Webcaster Settlement Act of 2008. The short version this story, is that SoundExchange, a subsidiary of the much-maligned RIAA that collects royalties, decided to double the royalty that Internet radio stations would have to pay to play their music. This would pretty much destroy Internet radio, by either putting all the companies out of business or by forcing them to add so much advertising to their websites that you’d never want to go to them. The deadline for the talks between SoundExchange and the Internet radio companies has been coming up pretty fast and with no compromise in sight, SoundExchange’s new rate (as ratified by the Copyright Royalty Board) would stand.

So to the rescue comes Jay Inslee, Representative from Washington’s 1st District. He introduced said bill and after some wrangling with SoundExchange, the Internet radio broadcasters, and the National Association of Broadcasters (who were worried they were going to get a raw deal), managed to get it passed unanimously by the House. So the bill is now on to the Senate where it also looks likely to pass since no one opposes it. After that it will be on to Bush’s desk where it will hopefully be signed into law. If that all happens (and there’s no reason to think it won’t) then Internet radio will be saved! And there was much rejoicing, yay!


Barak Obama Reggae Song by Cocoa Tea

by Chris Van Vechten

Wednesday, October 1st, 2008

I still can’t imagine why this song isn’t already an international phenomenon.




Two UPS DJs Lifting Up the House

by Joe La Sac

Saturday, April 5th, 2008

dj chaosthetic.jpgThe ornately adorned Trinity night club in Seattle is known for hosting some of the hottest DJs for its Saturday night dance parties. Tonight they are getting a taste of Tacoma since two of the University of Puget Sound’s well-known techno DJs, David Hvidsten (“Chaosthetic”) and Brad Miller (’06 alum) along with Jason LeMaitre (also from Tacoma) are spinning back-to-back in the 50’s-era retro Blue Room.

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